Dogon I, II & III

The Dogon series represents a significant body of work from Sam Gilliam's mature period, created in 2005 when he was at the height of his powers exploring color relationships and painterly abstraction through printmaking. These Color Trial Proofs from the Dogon series exemplify Gilliam's innovative approach to the printmaking medium and his deep engagement with cultural themes.

What We Think Makes These Color Trial Proofs Interesting

Unique Status Within an Edition

Color Trial Proofs occupy a rarified position in printmaking—they're the working proofs pulled during the color development process, where the artist actively experiments with different color combinations, layering sequences, and tonal variations to achieve the final vision. Unlike the standard edition prints that follow a fixed formula, each Color Trial Proof captures a distinct moment in Gilliam's creative decision-making process. They are, by nature, one-of-a-kind variations that will never be replicated.

The Artist's Hand

What distinguishes these from edition prints is the direct involvement of Gilliam in the proofing process. Each trial represents his active problem-solving and aesthetic choices—adjustments to saturation, transparency, overlay sequences—making them essentially unique works on paper rather than multiples. When signed and annotated as "Color Trial Proof," Gilliam is authenticating not just the print, but his experimental process itself.

The Dogon Connection

The series title references the Dogon people of Mali, known for their sophisticated cosmology, architectural achievements, and rich artistic traditions. Gilliam, as an African American artist deeply engaged with questions of cultural heritage and abstraction, often drew inspiration from African art and philosophy. The Dogon's complex understanding of color symbolism and geometric patterns likely resonated with Gilliam's own investigations into how color operates spatially and emotionally.

Rarity and Collectibility

For serious Gilliam collectors, Color Trial Proofs offer something the edition cannot: a window into the artist's studio practice and creative evolution. While edition prints demonstrate the resolved vision, these proofs show the journey—making them invaluable for understanding Gilliam's approach to color as a structural and expressive element. Having all three from the same series allows a collector to see how Gilliam explored variations on a single conceptual theme.

 

Dogon I, II, and III

Year: 2005
Medium: Lithograph and intaglio (unique works)
Hand signed, dated, and noted “CTP”; unique Color Trial Proof (CTP)
Size: 30.25 x 22.5 in (76.8 x 57.1 cm) (each)
Frame size: 36.125 x 28.375 in (91.8 x 72.1 cm) (each)